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X-WR-CALDESC:Learn how to paint the vibrant colors of autumn in the Cascade
 s with Molly Hashimoto!\nIn this hands-on class\, you will paint along wit
 h her\, trying out techniques with fun skill-building exercises\, as well 
 as more complete paintings of landscapes. We will share work at the end of
  the workshop with lots of positive feedback and helpful suggestions. \n\n
 Cost: $53 members\, $60 non-members\nLimit of 12 participants\nAfter regis
 tering\, you will receive the Zoom link information\n\nWatercolor Supply L
 ist:\n**NOTE: the materials you already have at home are fine! The only it
 em Molly suggests you buy is Arches 140 lb. cold press watercolor paper.\n
 -Drawing pencil HB (for watercolor under sketches)\n\n-Artist eraser\, whi
 te Mars plastic (made by Staedtler)\n\n-Paper: Arches 140 lb. cold press w
 atercolor paper\, 100% rag cut to your preferred size for painting. Check 
 out the new horizontal and square format blocks\, too.\n\n-Lightweight boa
 rd for paper mounting for ease of painting if you use single sheets with c
 lips or rubber bands.\n\n-Brushes: Sable or sable/synthetic blend watercol
 or brushes: #12\, #6\, and #4 round\, ¾” flat.\nOther sizes and types are 
 optional.  Do not buy a synthetic brush in #12 or #8 size:  they are too s
 tiff and do not lay smooth washes.  Synthetics are fine for #4 and smaller
  sizes.  I like Da Vinci Maestro sable rounds the best\, but they are expe
 nsive.  A sable/synthetic blend works well and is cheaper.  Other brushes 
 I like using are smaller flat brushes with chisel edges (which are useful 
 for softening edges\, and lifting out)\, riggers or liners for small line 
 work. \n\n-Water and water containers or waterbrushes\n\n-Palette: Alvin 1
 8 pan with blue waterproof seal\, filled with the following tube paints: 
 \nPaints: I use Daniel Smith watercolors\nReds: Cool: permanent alizarin c
 rimson \nWarm: pyrrol scarlet \nBlues:  Cool: phthalo blue (green shade) 
 \nWarm:  phthalo blue (red shade) or French ultramarine blue or ultramarin
 e blue\nYellows: Cool:  hansa yellow light \nWarm:  hansa yellow medium \n
 Violet:  carbazole violet \nBrowns and golds:  quinacridone burnt orange\,
  yellow ochre or raw sienna (you can substitute burnt umber or burnt sienn
 a for the quinacridone burnt orange). \nOther colors you may want to add\,
  in order of their usefulness:  cobalt blue\, hansa yellow deep or new gam
 boge\, perylene green\, perinone orange\, indanthrone blue\, Chinese white
  or Winsor and Newton permanent white gouache-it has more covering power t
 han Chinese white.\n\n-Paper towels\, rags\n\n-Optional: Winsor and Newton
  Masking Fluid\, white pens (I like Posca paint pens for corrections)\nSea
  sponge for corrections\, Cheap Joe’s Fritch scrub brushes\, also for corr
 ections
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DTSTART:20201101T020000
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
RDATE:20211107T020000
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TZNAME:PDT
DTSTART:20200308T020000
TZOFFSETFROM:-0800
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RDATE:20220313T020000
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BEGIN:VEVENT
UID:bed9d379-9734-4797-8c32-d795828282d5
DTSTAMP:20260424T214206Z
DESCRIPTION:Learn how to paint the vibrant colors of autumn in the Cascades
  with Molly Hashimoto!\nIn this hands-on class\, you will paint along with
  her\, trying out techniques with fun skill-building exercises\, as well a
 s more complete paintings of landscapes. We will share work at the end of 
 the workshop with lots of positive feedback and helpful suggestions. \n\nC
 ost: $53 members\, $60 non-members\nLimit of 12 participants\nAfter regist
 ering\, you will receive the Zoom link information\n\nWatercolor Supply Li
 st:\n**NOTE: the materials you already have at home are fine! The only ite
 m Molly suggests you buy is Arches 140 lb. cold press watercolor paper.\n-
 Drawing pencil HB (for watercolor under sketches)\n\n-Artist eraser\, whit
 e Mars plastic (made by Staedtler)\n\n-Paper: Arches 140 lb. cold press wa
 tercolor paper\, 100% rag cut to your preferred size for painting. Check o
 ut the new horizontal and square format blocks\, too.\n\n-Lightweight boar
 d for paper mounting for ease of painting if you use single sheets with cl
 ips or rubber bands.\n\n-Brushes: Sable or sable/synthetic blend watercolo
 r brushes: #12\, #6\, and #4 round\, ¾” flat.\nOther sizes and types are o
 ptional.  Do not buy a synthetic brush in #12 or #8 size:  they are too st
 iff and do not lay smooth washes.  Synthetics are fine for #4 and smaller 
 sizes.  I like Da Vinci Maestro sable rounds the best\, but they are expen
 sive.  A sable/synthetic blend works well and is cheaper.  Other brushes I
  like using are smaller flat brushes with chisel edges (which are useful f
 or softening edges\, and lifting out)\, riggers or liners for small line w
 ork. \n\n-Water and water containers or waterbrushes\n\n-Palette: Alvin 18
  pan with blue waterproof seal\, filled with the following tube paints: \n
 Paints: I use Daniel Smith watercolors\nReds: Cool: permanent alizarin cri
 mson \nWarm: pyrrol scarlet \nBlues:  Cool: phthalo blue (green shade) \nW
 arm:  phthalo blue (red shade) or French ultramarine blue or ultramarine b
 lue\nYellows: Cool:  hansa yellow light \nWarm:  hansa yellow medium \nVio
 let:  carbazole violet \nBrowns and golds:  quinacridone burnt orange\, ye
 llow ochre or raw sienna (you can substitute burnt umber or burnt sienna f
 or the quinacridone burnt orange). \nOther colors you may want to add\, in
  order of their usefulness:  cobalt blue\, hansa yellow deep or new gambog
 e\, perylene green\, perinone orange\, indanthrone blue\, Chinese white or
  Winsor and Newton permanent white gouache-it has more covering power than
  Chinese white.\n\n-Paper towels\, rags\n\n-Optional: Winsor and Newton Ma
 sking Fluid\, white pens (I like Posca paint pens for corrections)\nSea sp
 onge for corrections\, Cheap Joe’s Fritch scrub brushes\, also for correct
 ions
DTSTART;TZID=America/Los_Angeles:20201108T110000
DTEND;TZID=America/Los_Angeles:20201108T133000
LOCATION:Virtual
SUMMARY:Virtual Watercolor with Molly Hashimoto
END:VEVENT
END:VCALENDAR